Hmong-American writer Kao Kalia Yang never doubts the power of a blank page. The professional writer, born in Ban Vinai Refugee camp in Thailand has dedicated her experiences as a teacher, mother, wife, big sister and daughter, to letting her wise words roam wild.
I had the opportunity to meet Yang and discuss her upcoming projects, one of which will be her attendance at the ThreeSixty 2019 Great Media Get-Together on Thursday, Oct. 10, at the University of St. Thomas College of Arts and Sciences.
Sitting backstage at the Ordway Center for the Performing Arts in St. Paul on Sunday, Sept. 22, I was nervous and anxious because people mentioned that Yang has such an eloquent way of speaking that among their descriptors, words like “synesthetic” and “wonderment” sketch her presence. Excitement filled my mind as I got to peek into the mind of a writer who I can identify with as a woman of color, a writer whose book “The Late Homecomer: A Hmong Family Memoir” was the spark of meaningful dialogue that took place in my high school English classes.
Being a writer requires an extension of yourself and your vulnerability to be put forth on a page. This is especially hard when you present this writing as your story. This was tough but important for Yang as she shared: “I went into writing as a selective mute; my father told me that from hardness you can give birth to gentleness, if you speak then maybe our lives aren’t lost.”
From that she gave birth to a collection of unfiltered stories each telling the candid themes of familial struggle, the Hmong experience and the ability to tell the stories of others.
The stakes are high when Yang describes her writing process.
“Every time I go onto the page it means it has to matter, matter to me because I am my first reader, but it has to matter to the people who care about me,” she said.
One of those people who cares for Yang, is her father Bee Yang. During our interview backstage you could hear her father sing with so much conviction and joy through the speakers. Kao Kalia Yang writes from the songs her father, Bee Yang, sings. Her father sings in his native tongue about the sacrifice it took to gift a better future for his children in the memoir “The Song Poet” written by his daughter.
Yang’s articulation is on-the-nose and so guttural that it incites an ethereal reaction from its listener. From chilling goosebumps to on-the-brink of tears, the symptoms of spiral drifted into upswing when I attended Yang’s performance. Yang read excerpts from “The Song Poet,” which extended from her father’s lyrics of joy to loss. Extemporizing from her family’s story and the traditional folktales, Yang opened up the floor for her father to sing the life of his people.
The audience in the Ordway was presented with the power of storytelling through multiple mediums. Yang’s performance has become a catalyst for her writing to be seen through another medium, as a youth opera. The Minnesota Opera will bring Yang’s “The Song Poet” to a greater audience, paying tribute to Bee Yang’s story and his songs.
Yang doesn’t limit the possibility to see the ways her art can be expressed. She mirrors the nature that surrounds her and reflects it in her writing.
“For me that first draft is my first stab at it, if there’s seeds planted, I’ll go back in and harvest from that crop and something beautiful will grow,” she said.
By dwelling in possibility, Yang has expressed the truths that we govern. Most of Yang’s writing wax unfiltered truths, serving as candid and beautiful anecdotes from her experiences.
As artists, Yang tells ThreeSixty students: “You are the most qualified person in world to tell the story of your life, and sometimes you are the most qualified person to tell the stories before you. Author comes from the word authority; authority is earned, and you are earning it right now.”
This limitless growth as a storyteller feeds into the mission of ThreeSixty in allowing students to tell their story in order to tell the stories of others.
Feelings of creative power that span poignantly universal were encapsulated in Yang’s performance with her father.
Yang tells us not only the power of storytelling, but the power of a blank page, like a blank canvas where you’re free to roam through the wildest of your words.
“On the page, I am free,” she said, “on the page I am big, and I am strong, or I’m tiny and weak. On the page I am whoever I need to be in the moment.”
View this post on Instagram
Last night Threesixty alums, Kelly Saybe and Erianna Jiles interviewed Hmong American writer, Kao Kalia Yang about her book, The Song Poet. You can catch Kalia on panel at Threesixty’s 2019 Great MN Media Get Together on October 10th. Check out @threesixtyjournalism website for more information ✨Thank you, Kelly and Erianna!